Happy Birthday, Rebecca Clarke!

Dear Friends! Today is Rebecca Clarke’s birthday! She was born in 1886, in Harrow, U.K. Here’s a thrilling performance of her best known work, the 1919 Sonata for Viola, as orchestrated by Ruth Lomon. https://youtu.be/Fb_7GwLGfes (I. “Impetuoso” )
And here is another great work, very different and lesser-known, the Prelude, Allegro, and Pastorale for Clarinet and Viola. She composed it in 1941 but it was not published until 2000. https://youtu.be/T6TUABU51JA
AND we — The Rebecca Clarke Society, Inc. , www.rebeccaclarke.org — are always looking for volunteers to help us with updating social media and our website. Unpaid, but opportunity for bonus. info@rebeccaclarke.org

Welcome to our Blog!

Dear Readers and supporters!

In olden times, we were pretty good about getting out our newsletter regularly. Now things seem to happen so fast that we are focused on what’s going on right now, rather collecting articles in a  newsletter. And, yes, we do social media (Facebook).  So in particular for those of you who don’t turn to Facebook, we are starting this blog as a place to highlight current events and concerts including Rebecca Clarke’s music or other relevant content.

Please do write us with news items, or ideas for stories – and of course we always welcome guest bloggers!

And now!  Our first announcement: We received news of a wonderful concert that will take place in Paris, France, on Oct. 18.  The mezzo-soprano Lucie Louvrier writes us with her plans of a recital featuring songs by Clarke, Alma Mahler, and Lili Boulanger.

Performing with pianist Anna Guyénot, the recital will take place at the American Cathedral in (23 avenue George V, 75008 Paris, France), at 4 pm, and is free of charge.  Louvrier discovered Clarke’s music when completing her MMus in Vocal Performance at Birmingham Conservatoire, and she is happy now to share these English songs with French audiences.  

Lucie explains:

In building this programme we wanted to perform music by several European women composers of the same era, to put each of them in perspective and show three different female artists’ fates of that time, whose musical languages are truly unique yet bare some similarities. … We would be very happy for our recital to contribute to Rebecca Clarke’s music being more widely known, especially in France where the English song repertoire in general is so rarely performed.