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| Listen to the Interview | ||||||||||
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1 - Introduction - Virginia Eskin - how
composers' lives affect their career "A Note to you Theme Music" Eskin plays Menotti's concerto "The Glorious Rebecca Clarke" |
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2 - Intro to Clarke's music, with Eskin's
comments on the Viola Sonata and Piano Trio, their openings. Clarke and new musical styles of early twentieth century - using colorist effects., clashes, search for new language. Listen to the Viola Sonata |
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3 - Introducing Liane Curtis, Musicologist
researching Rebecca Clarke How Liane got interested in Clarke. How Clarke got her start. Her difficult father. Study at the Royal Academy and Royal College. |
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3a - More on her education and her formative years. |
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4 - Women and education, Clarke's music
education - Leading into Morpheus, 1918. Listen to Morpheus. |
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5 - After Morpheus On the use of the pseudonym Anthony Trent (Rebecca Clarke ???) |
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Copywrite issues |
6 - From 1976 Interview with Clarke (Mrs.
Rebecca Clarke Friskin) with Robert Sherman;
Content cannot be included at present because of copyright difficulties |
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7 - Liane Curtis offers insights on the
interview passage |
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8 - On her songs - what is special about
them,
Virginia's examples |
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9 - On poet John Masefield, Clarke's meeting him
Leads to "June Twilight" |
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10 - Discussion - of her atmospheric quality, Impressionist style |
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11 - "Hellas" - Shelley poem, leading to
Choral performance |
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12 - About Sept. 1999 conference on Clarke
at Brandeis University |
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13 - Station break and acknowledgements.
Contact info is no longer current |
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14 - Virginia plays an interlude from the
first movement of Clarke's viola sonata |
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15 - Discussion: how fast change has taken
place Role of violists in showcasing her About her compositional process - walks in the country side |
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16 - about the Prelude, Allegro and Pastorale, leads to example of the
Allegro
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18 - Clarke in the 1930s, settles in US
during WWII, on the Passacaglia |
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19 - Clarke meets Friskin - Cinderella
ending Feeling of insecurity - leads another excerpt from 1976 interview |
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Copywrite issues |
20 - Clarke in interview "One little whiff of success"
Content cannot be included at present because of copyright difficulties |
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21 - On the interview - doubt of her identity
- Lead into the third movement of the Piano Trio |
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22 - Lead in to "The Donkey" Click to hear an audio sample of "The Donkey" |
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23 - Acknowledgements And fade out with end of Piano Trio |
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| Segments 6 and 20: Clarke in the actual interviews cannot be included at present because of copyright difficulties - I am working on this. -LC | ||||||||||
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You
must have Real Player installed on your system in order to play the
Real Audio clips.
You can download the Real Player here.
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Liane
Curtis, musicologist, critic, and cultural activist, has written
a wide range of articles on Rebecca Clarke. She first met
Virginia Eskin in the early 1990s, and she has always been
inspired by Eskin’s pioneering performances of music by women
composers.